Elder Kearon quoted Elder Quentin L. Cook of the Quorum of the Twelve Apostles, who said, “Missionary work is not just one of the 88 keys on a piano that is occasionally played; it is a major chord in a compelling melody that needs to be played continuously throughout our lives if we are to remain in harmony with our commitment to Christianity and the gospel of Jesus Christ” (New Era, February 2015).
“So the music that I use for those moments specifically are using the overtone series and these pitches which are also orbiting the audience in surround sound.”
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In that spirit, Elder Kearon expressed his hope that missionaries would reflect that joy as they extend invitations to those they teach.
Ms. Milo believes that it is one thing to read about the lost histories of women like Mary Magdalene on the page, but “to take them on with my body and bring them to life in front of the audience so they can actually experience a person in front of them has been special.”
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Scholars usually agree that John is not without historical value: certain of its sayings are as old or older than their synoptic counterparts, and its representation of the topography around Jerusalem is often superior to that of the synoptics. Its testimony that Jesus was executed before, rather than on, Passover, might well be more accurate, and its presentation of Jesus in the garden and the prior meeting held by the Jewish authorities are possibly more historically plausible than their synoptic parallels.
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She cut until the theater’s staff took the knife, then started passing out slices, never taking a whole piece for herself.
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